Cute Sayings For Wedding Bubbles

Dubliners ... These films

I found in the notes, when j animate a film club, leaves for this film seen years ago: People in Dublin.

People In Dublin, the last film of the late John Huston, it gives us the most touching of his thoughts and more just dozens of films. This film leads us, inevitably, not as we know, looking towards the last five minutes are a reflection on death and his psychological approach.
If characters in this movie join reality, the director, in stages, gradually immerses us in the intimate psychological and spiritual more heroin.

This introspection process is reversed on the other imitated here at the cinema, to perfection by the Master. The Heroin Heroin will at the end of the film and during the last fifteen minutes. At this time we really know when we had hitherto only a vague idea. Until then, it was a character among others. A person as there many around us, we know very little and who often fortuitous and attention impromptu imposed on us in his most intimate performances.

So, we look back in retrospect this person, his every move seen throughout the film, seen but not looked for meaningful sympomatiques of root causes and hidden . Facts and actions that should have we reveal it. Of the actions that we have not seen because our imagination in the service of our minds, our hearts were not ready, maybe also because the equal of that live, we manage our own lives, family, work and social activities.

With this attitude of reverence that images can resurface in the manner of a flame that revives before dying.
The light it gives off and becomes violent form of contrasting shadows on the walls of our imagination, conscious or unconscious and sending us to our own quest for self, our self-knowledge.
attention to the other, the woman in the film oscillates between the trivial and the "barely audible", so that, initially, was not the idea to bend down to hear what is actually said in the meeting of relatives and friends in Dublin in the early nineteenth century.

Then, when everyone leaves and that Gabriel and Gretta are alone in that hotel room lit only by candles may be related to a power outage : good coincidence for intimacy extremely violent, brutal but so beautiful and poetic in its relationship to what transcends life.
When you hear Gretta saying this long monologue full of regret, nostalgia, sadness, you feel like, as written above, go back, to resume events of the evening A by A , scan using this new light, and take in the crowd of mundane details , the gestures and glances aside small example everything that has been pushed MEMORY Gretta back on the hassle of the event said.

is where lies what we perceive others without cognitive awareness. This is where lies the psychological state of this woman who is beautiful in its humanity. Beautiful as anyone that we discover in his own dramatic complexity, its concreteness vital spirituality.

The mystery of this film as the mystery of a person is subtle, fragile, too, which is first on the surface of things, taking care of magnetic force until he can rise to the surface sinking Our staff sinking, as we all depths of the sea, poorly concealed by our smiles.
Then the secret of a lifetime as if it were a little nothing of these things fails to appreciate that it is too late.

When is too late ... In conclusion, it is our freedom, it is never too late. Gabriel look out the window at the snow fell. Gretta fell asleep from fatigue following night in Dublin, following the grief caused by unexpected factors.

Gabriel looks imagination Ireland under the snow and seeing the parade slowly snowy landscapes. John Huston filmed each region of Ireland and gives birth to the imagination of Gabriel. Snow falls on a cemetery ... We're finally ... Here we can understand that death is liberating and wonderful as spiritual ...

Installation Of The Front Plates For A Bmw

rather "means" that call for thought ...

We have often written on this blog and in recent years, on film. We talked or BERGMAN ANTONIONI , two great masters of cinema history. I would add, the "existentialist cinema" with the caution that there is, to express the existence of an "existentialist cinema."
There are other directors, other artists after two demiurges uncommon.

The Curious Case of Benjamin Button directed by David Fincher with Brad Pitt in the title role and Cate Blanchett defies critical taste.

But after reflection, I thought that this slow film inspired by the work of F. Scott Fitzgerald, is a huge reflection on love , immortality of love , the ephemeral and lightweight of a human life, of love as perhaps the long process of maturity that leads both be love to meet single in a life after the mistakes of youth narcissistic, the mistakes of youth in search of love Big Love, a youth who suffer from the contradictions in his torn between the game of love and his quest for happiness deep.


This huge reflection is spiked with a story and facts that stimulate our invraissemblables vraissemblable intelligence to find what lies beyond these facts ... Then reread the previous paragraph (in bold).

ago, on the other side of the scale, the most stunning scenes that cinema can create today. An example. It is already late in the life of Benjamin, the man to reverse the biological clock. And suddenly, after an ellipse of two to three years, here in the shadows: young Brad Pitt. Not as young today as young in Thelma and Louise, there eighteen years. It is a technological feat, but dedicated to romance, leaving any room for magic tragic that such a youth causes at this stage of history - Benjamin himself is terrified.

It was a good movie to bear fruit for some real opportunities dizzying false offered by digital technology. Brad Pitt to give back to his adolescent face ... Maybe, but why bother? David Fincher's film transcends by its lyricism, any effect gadget. The news of Francis Scott Fitzgerald seems to have waited for decades in the majors cartons that to better inspire today this majestic epic.

In the original text I once read, the old man is born with, therefore, size and intellect of an adult. The film offers an extremely clever variant: the baby Button, born at New Orleans in 1918, has wrinkled skin, but also characteristics and therefore the size of a normal newborn. In other words, the film further complicates the finding of Fitzgerald, layering multiple ages on Benjamin.

In the nursing home, another successful innovation of the screenplay, directed by her adoptive mother when he grows up, it looks like other residents in his white hair, his glasses and his crutches, but, as tall as three apples, it plays to lead soldiers. Impossible, however, know when the actor Brad Pitt is involved or how precisely the composition of this hybrid creature. The superposition

old / young is extended throughout the narrative, the expressive power of multiplying each mutation physical and mental health. Around age 20, when he still has more or less the appearance of senile gnome, Benjamin discovers a sexual energy that has baffled amazement at the brothel on the corner: this is indeed puberty, but irradiating the body of a senior. Under his supernatural tale trappings, the film is so haunting echo and the flickering of the current pyramid, the widespread denial of biological fate.

Hollywood in particular, more than ever the capital of youth without end, for better or for worse, is the heart of his madness with The Curious Case of Benjamin Button. The couple's romantic film, Cate Blanchett and Brad Pitt, she and her older chronologically, in reverse, the screen goes all stages of the cool to decline, or vice versa. This is troubling, as they undergo edits evoke those made elsewhere, and quietly, in other films, on both photos, by simply refusing the passage of time. For the stars, only authorizes the fiction, strictly speaking, aging.

Finally comes the moment when the two characters, old girl and the old old man, have the same age, that of love . The actors are so natural to, maskless digital fine idea carnal chapter coincides with the unveiling of the true flesh of interpreters ... But already the counters will start again in opposite directions. Benjamin Button, this is not the myth of eternal youth . Surreal sophistication of the argument leads to the familiar experience any of the ephemeral and lost. And this is how a blockbuster high-tech managed to bring forth such a great melodrama, melancholy heartbreaking farewell.

Another film in which the talents of three performers allows the film to escape the theatrical context that could threaten: La Maison du Lac , a film I had seen in 1981 at age 16 and I've seen pleased this year with a mature man of 44 years. Film by Mark Rydell from a screenplay by Ernest Thompson from his play.


Norman Thayer Jr. and his wife, Ethel, returning once again to Golden Pond to spend the summer. Norman, who will soon be 80 years, awaiting the arrival of Chelsea, their daughter. When she arrives, he shows, as always, bitter to it ... The film is a sensitive study of the relationship between a father and daughter, La Maison du Lac allows Jane Fonda to play against his father, Henry. " I told my father in the film, she said, all these things I had never dared to say in life, bits of sentences that were hidden deep within me and do you always keep the memory of those who gave you life. "The entire film rests on the exceptional relations that bind the one hand, Jane Fonda's father, the other the husband Katharine Hepburn Henry Fonda, mingling relationships filial affection, friendship and nostalgia for years gone.